Ladainha music in capoiera

This is about ladainha music capoeira.

In capoeira, music sets the rhythm, the style of play, and the energy of a game. In its most traditional setting, there are three main styles of song that weave together the structure of the capoeira Angola roda. The Angola roda represents the most strict and traditional format for capoeira and is ideally suited for an introduction and discussion of the music.

The roda commences with the ladainha (littany), a solo often sung by the most senior member present, usually the one playing gunga. These songs may be improvised on the spot, but are most often chosen from a canon of extant ladainhas. The ladainha varies in from as little as two lines, to 20 or more. Topics for this song type include moral lessons, stories, history, mythology, can be topical for a particular occasion as well as pure poetry, and almost always metaphorical. The song is loosely strophic and the melody is pretty much the same throughout the entire ladainha repertoire, with some variations here and there. The ladainha uses quatrain form as a template, with the first line almost always repeated.

Iê...ê
Eu já vivo enjoado
Eu já vivo enjoado
de viver aqui na terra
amanhã eu vou pra lua
falei com minha mulher
ela então me respondeu
que nos vamos se deus quiser
Vamos fazer um ranchinho
todo feito de sapé
amanhã as sete horas
nos vamos tomar café
e o que eu nunca acreditei,
o que não posso me conformar
que a lua vem à terra
e a terra vem à lua
todo isso é conversa
pra comer sem trabalhar
o senhor, amigo meu, colega velho
escute bem ao meu cantar
quem é dono não ciuma
e quem não é vai ciumar
camaradinho

Ieeeee
I am sick
of living here on Earth
Tomorrow I'll go to the Moon
I said to my wife
And she responded
Then we'll go, God willing
We'll have a little ranch
All made of straw
Tomorrow morning at seven
We'll have some coffee
What I never believed
Nor could I ever confirm
The moon would come to Earth
And the Earth to the Moon
This is just talk
to eat without working
Sir, good friend, old colleague
Listen well to my song
He who is the master of his land doesn't envy
And he who isn't certainly will
Camaradinho

An interpretation of this song could be: Nothing comes easy without hard work. The person who sings the ladainha cries out "Ieeeeeeee" (pronounced YaaaaaaaaY) to call to order the attendees of the roda, that the roda is starting. The ladainha ends with "Camará", "Camaradinho" (fits better rhythmically), or conversely, "É hora, hora" (It's the hour). This tagline marks the end of the ladainha and the beginning of the chula, or more properly louvação (praise).